It is just too hectic, too chaotic and doesn't let the characters to develop or even establish themselves. Just check out the faces leader of the Krull makes while doing his speech inexcusable. Tim Curry overplays Trymon to the extreme, but I guess this is due to the bad direction - many characters seem to be overacting their bits probably to infuse a sense of lightness and silliness. Vetinari is on par (even though in those early Discworld novels he most probably wasn't the 'Patrician', but that's fan service for you). Death is horribly puppet-like - I endured him in Hogfather but here the rubber skull should really have been lees pronounced.

And whenever he does something Rincewind-y (like taking off with Twoflower's gold), it actually feels out of character. The thing is, you need to take pleasure in Rincewind constantly being put from one peril to the next David's Rincewind is like a kooky old grandpa that you feel bad for when he gets thrown from a cliff, threatened or trampled on. Someone like Rowan Atkinson channeling his Black Adder persona (but with less malice and much more cowardice) would be perfect. This particularly bothers me since David is probably my favorite British actor however he is just too likable to pull of a Rincewind. David Jason, sadly, is a complete miss as Rincewind. Sean Austin is a fine Twoflower, even though I think it perhaps should have been cast by a more exotic-looking actor. The first thing that bothered me is the casting. And this works well in written form, but as a cinematic narrative it simply fails clever jokes get cut, simplified and/or drowned in the overall chaos, the plot has to move quickly so it is nearly impossible to absorb everything that happens (let alone enjoy it) and overall it represents a rather frustrating experience, both for the Pratchett fans as well as the general audience. Well, perhaps the entire Discworld series is like that, but in 'Color of Magic' and 'The light fantastic' this parody takes the front seat while a coherent story and characters sit in the back. These early two novels are basically Terry taking a jab at (but also making homage) to a fantasy genre in general. Now they take the very first Discworld novels which - while perhaps being the funniest in the series - do not really present what Pratchett's work is all about. First it was the 'Hogfather', which is probably one of the most esoteric and confusing Discworld novels out there. However, when Pratchett actually gets on the big (ok, small) screen, they seem to make the worst choices possible. Pratchett wrote quite a lot of Discworld novels, and some of them are simply begging to be put on the big screen.

The colour of magic cover